Monday, April 6, 2020

AOM Meditations: 040620

The Cardsharps (1595) by (Michelangelo Merisi da) Caravaggio

A card sharp (also cardsharp, card shark or cardshark, sometimes hyphenated) is a person who uses skill and/or deception to win at poker or other card games.

"Caravaggio was one of the pivotal figures in the history of Western art. In his short lifetime, he created a theatrical style that was as shocking to some as it was new, inspiring others to probe their subject matter for the drama of psychological relationships.

Apprenticed in Milan, Caravaggio came to Rome in the early 1590s. There his early masterpiece The Cardsharps came to the attention of the influential Cardinal Francesco Maria del Monte, who not only purchased it but also offered the artist quarters in his palace. Caravaggio was thus introduced to the elite stratum of Roman ecclesiastical society, which soon gave him his first significant opportunity to work on a large scale and for a public forum.

In The Cardsharps, the players are engaged in a game of primero, a forerunner of poker. Engrossed in his cards at left is the dupe, unaware that the older cardsharp signals his accomplice with a raised, gloved hand (the fingertips exposed, better to feel marked cards). At right, the young cheat looks expectantly toward the boy and reaches behind his back to pull a hidden card from his breeches. Caravaggio has treated this subject not as a caricature of vice but in a novelistic way, in which the interaction of gesture and glance evokes the drama of deception and lost innocence in the most human of terms.

The Cardsharps spawned countless paintings on related themes by artists throughout Europe—not the least of which was Georges de La Tour’s Cheat with the Ace of Clubs in the Kimbell.

The Cardsharps was stamped on the back with the seal of Cardinal del Monte and inventoried among his possessions after his death in 1627. Its location had been unknown for some ninety years when it was rediscovered in 1987 in a European private collection." (Kimbell Art Museum, Ft. Worth, Texas (link)

~*~

“Feeling guilt dims our light. Instead of dimming our light to make others feel more comfortable, we could just continue to shine and foster the rise of the vibrations of those around us.

Being Happy and Feeling Good does not mean you have no compassion for the misery of those around you. It simply means you won’t dim your light to make them feel comfortable – instead, you’re going to help light the way.

At first, your light may be a bit too bright for others and it may hurt their eyes, yet it’s far better to shine rather than to hide your light. When you hide your light for too long, it extinguishes and you slip right back into darkness…unable to find your way until someone ‘shiny’ comes along to light your way and help you to find the light you still possess within, your Soul’s Magnificence.”

~Alaric Hutchinson

3 comments:

hlj2002 said...

Such a great picture and thank you for the story and history behind this picture. Very interesting!

I love how after talking about cheating at cards you move into "Feeling guilt dims our light..."

It is important to keep our light shinning, for our own good, and for those around us.

Thanks AOM!

Anonymous said...

Profundamente didáctico.Amigo venezolano,Cucuta

Robert H. said...

Interesting that a secular painting portraying deception should have appealed sou much to a Cardinal.

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