Showing posts with label Maxfield Parrish. Show all posts
Showing posts with label Maxfield Parrish. Show all posts

Monday, April 27, 2020

AOM Meditations: 042720

 Dinky Bird (1904) by Maxfield Parrish 

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"I am reminded of a story today about letting go.

In a certain zen monastery, the monks would occasionally hit the new students with a bamboo reed at random intervals throughout the week.

They would hit them hard enough to cause pain but not enough to cause any lasting damage.

Because the students never knew when the next bamboo whack would come, it would make them anxious. They would worry and worry and worry that they might be suddenly hit at any moment.

They would eventually figure out that the only way to be free of all of this anxiety, would be to let go of fearing the next hit.

And this was the purpose of the exercise - to teach letting go, to teach openness to the present moment. I cannot be open to this moment if I am holding on to my mental image of another moment.

The coronavirus is the same. It is constantly reminding us that sickness and possible death could come at any moment and the only way to be able to live freely, is to let go of our attachment to survival.

It's challenging and uncomfortable. But it's gift is that it is teaching is how to be free."


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Monday, June 10, 2019

ART: Maxfield Parrish

Daybreak by Maxfield Parrish

Daybreak is a painting by American artist Maxfield Parrish made in 1922. Daybreak is regarded as the most popular art print of the 20th century, based on number of prints made: one for every four American homes. According to the National Museum of American Illustration, it has outsold Andy Warhol's Campbell's Soup Cans and Da Vinci's Last Supper. It is still in print. Parrish referred to Daybreak as his "great painting", the epitome of his work.

Maxfield Parrish (July 25, 1870 – March 30, 1966) was an American painter and illustrator active in the first half of the 20th century. He is known for his distinctive saturated hues and idealized neo-classical imagery. His career spanned fifty years and was wildly successful: his painting Daybreak (1922) is the most popular art print of the 20th century.


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